Coded Cloth ‘Coded Cloth’: How a generative digital design process for jacquard weave design can reanimate historical pattern archives. This is a collaborative research project with external partners: The Silk Museum and Paradise Mill , Macclesfield. It utilises...
Fabrics Lengths of fabric are one of the outputs of the ‘Coded Cloth’ project. There are lots of different computer generated colour palettes (see images to the left) from the programming I’ve used in the coding environment of Processing. Products If...
Artworks Specific wall based artworks and installations are two other outputs of the ‘Coded Cloth’ project. There are lots of different computer generated colour palettes (see images to the left) from the programming I’ve used in the coding environment of Processing....
Glitches The code acts as a compressor, ripping apart the original image, and piecing it back together again. Algorithms decide what is broken down, and what is kept of the original textile archive. Colour palettes are developed from specific ranges, predetermined by...
Repeats This particular series plays on the ideas surrounding order and chaos. Is it a straight repeat that remains, or a chaotic one? Elements of the original fabric archive remain, but some new elements have been constructed during the coding process. These new...
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